February Towels

Now that the holidays are over and my 24 +/- samples are finished, I can get back to the loom and perhaps finished the 12 sets of towels from the Calendar project.  I decided to work on the February picture.  After considering the colors I chose originally, I changed a few. 

 The original set of colors is on the left.  I changed the blue to a lighter shade and got rid of the pink and added a very light blue.  The orangey color was swapped for a bright gold. 

The old combination might have worked but these do look good together.




                                           The warp before any weaving has been done.

The yarn is 10/2 perle cotton sett at 24 epi and woven around 24 ppi.  These towels are threaded to a regular 8-shaft point and woven with a 1-1-1-1-2-2 twill pattern. 

Here is the first towel woven - with rust weft. 









Here is the towel using the silver from the warp.

24 Plus or Minus Samples

It is time again for me to rush to finish the samples for the Complex Weavers Study Group: 24 +/- . For some reason, I always leave this to the last minute.

While browsing through a magazine, my eye was caught by a Coldwater Creek ad.   The featured sweater had bold diamond shapes in light yarn on a dark background.  The hem and cuffs were the reverse – dark diamonds on a light background.  I decided to try to see if I could duplicate it. 

 

Because of the scale, my diamonds are smaller than the sweater diamonds.  I also wasn’t able to figure out how to recreate the smaller diamonds positioned between the diamonds on every other row.  But I was pretty pleased to figure out how to make the little carat and the “flower-like” shapes.

 

To achieve this design, I started with a 24 shaft point twill.  I used the tie-up box to introduce the design features.  I decided to alternate sections of light and warp so that I could see the effect of light on dark and dark on light, as was used in the sweater.  As a bonus, the light on light and dark on dark motifs are also present.

 

 I'm still not great at threading the 24-shaft loom - maybe my arms are too short or I can't see the light heddles on the light floor.  Anyway, I had several threads that were in the wrong heddles or heddles that were empty.  It took me two fixes to get it correct.

 

Here's the fabric on the loom.  This picture makes it look fantastic.  The beat isn't as even as this makes it appear.

Detailed look

The final piece.  I put on about 3 yards and wove 2 1/4 yards.  There was plenty to create the 24 samples I needed for the exchange.  It would be interesting to do this again in lower contrast colors and not alternate the dark and light sections.

Overall, I was pleased with the results. Because of the pattern, there were sections that beat in more densely than the rest.  It isn't exactly the same as the sweater pattern, but it was a fun exercise.

Holiday Towel Time

I decided to weave some holiday inspired towels.  I have made festive trees from time to time and didn't have any more left.  Instead of the same old-same old trees I have been weaving, I thought I would try something different.  I turned to "A Weaver's Book of 8-Shaft Patterns" edited by Carol Strickler to find some inspiration for Rosepath trees. 

There are a fair number of different designs for figures woven with a basic 8-shaft rosepath threading.  I found a nice tall tree that looked interesting but it was woven with 11 treadles.  As I contemplated skeleton tie-ups or pick up techniques (it might not be too bad since the trees are only woven as a band on one side of the towel), and started worrying a bit.  Then I realized I did have a loom with more than 10 treadles.  My AVL Studio loom was sitting in the corner with an infinite number of "treadles" - empty with nothing on it at all.


As I got to work, I thought about the fact that so far, I have been winding the warp - back to front - but because of the placement of the raddle, the yarn would hang off the back of the loom instead of coming through the shafts from the front.  I decided that that wouldn't work and figured out a way to bring the warp from the front of the loom through the treadles, around the first back beam and onto the warp beam.


This worked really well, which was good because the 10/2 unmercerized cotton I was using for the warp was very sticky.  It took much longer to wind on than the perle cotton I have been using does.



I tried the tree pattern I found and I decided it looked too tall, so left off some of the upper "branches".   I also realized "just in time" that I needed to flip the pattern so that the trunks would weave first - not the tree tops - so that they weren't upside down.  Fortunately Fiberworks PCW has an easy way to flip the design.

I tried the trees two ways and thought about other motifs that might be fun.  I found a pattern that was kind of star-like and tried that.  One with variegated yarn for the stars and one with solid stars. 

I still have warp enough for about 6 towels and I'm still thinking of what I can do with the designs. 

Towels for Shelley

I had promised my friend and neighbor Shelley a pair of towels for her birthday - last May.  They could have any colors she wanted.  She picked cream, light blue, yellow, a reddish tan and red.  Using all of the same tricks I have before, I created a striping pattern that used slightly wider stripes (no skinnier than 5 threads) than previous sets of towels. 

They turned out nicely and she picked the two she wanted leaving me a few...

 

For Young and Not So Young

In the midst of a sea of towels, I decided to diverge and weave a couple of blankets.  A sort of local yarn store went out of business and I found a lot of the cotton I like for blanket warp on deep discount.  The holidays are also approaching and I wanted to have some lap robes for either the Holiday Cheer program or as "shawl" gifts for people who might need some comfort. 

This warp was unusual for me in that it was all the same grist.  Usually I mix yarns of different weights and they even out across the piece.  I also only used a few color:  blue variegated, yellow and white or natural. 

Baby Blanket on the loom

I wove two blankets - one for a baby and the other for an adult.  The weave structure is plain weave.  The wefts were a baby acrylic yarn with pink and blue flecks and another soft acrylic in a medium blue.

Here is the finished baby blanket.  I really love the effect that the variegated yarn made.  The detail is below.

 Lap robe









 Lap robe detail
 

Experimenting with an Old Class Project

In 2008, I took a warp painting class with Betsy Blumenthal, of "Hands on Dying" fame.  The 8/2 cotton "warp" has been hanging around since.  I decided that I wanted to use it for something, so decided to make a scarf warp. 

I wasn't sure what to use for weft.  One other enterprising student had not only brought her warp for painting, but also weft yarn.  I hadn't thought of that, so that wasn't an option.  The warp colors were on the purple side - magenta and blue with some yellow/green as well.  Using one of the "rules of thumb" I had learned from JoAnn I looked around for what I might have that was a kind of "gray" in a medium shade based on the colors. 



Scarf in progress.  Warp colors are not quite true

I wasn't really looking for gray, but a color that had the hues of the warp paint.  If you think of the color wheel as a triangle, with Red, Blue and Yellow at the apexes (or apices, if you prefer), the sides of the triangle are the combinations of the two apexes.  For example, on the Yellow / Blue side, there would be varying colors from yellow to green to blue.  The center of this color triangle would be composed of various combinations of all three colors - red, blue and yellow.  These colors would look like grays, browns and mauves.

I did have some purple 8/2 cotton (the same type of yarn as the warp) that could have worked.  I also had some cotton that I had dyes many years ago that looked like a little better shade.  It had a smoother texture and was of a slightly smaller grist that the warp. 



The weave structure is a point twill on 4-shafts.  The points are not regular, (i.e., some are 4 up/4 down and others are 8 up and maybe 4 down).  I think this gives it a more interesting look.

The scarf turned out OK.  I probably should have spent more time separating the warp threads, but they were fairly sticky and I kind of like the sections of color.  The purple weft also worked well, becoming a background to the warp rather than overwhelming it.

All in all, I would say this was successful.

Looking for New Homes for Towels

Now that I have woven a LOT of towels, it was time to find homes for some of them.  Last Sunday I participated in a local craft fair.  I shared a booth with a weaver friend. 

It turned out to be a good day, although no baby blankets got sold.  The day was hot and the old stone building where it was held got really warm - so people's minds were not on warm textiles.  Only one scarf sold.

But it was a good opportunity to hear what people were looking for.  Surprisingly two people asked about table runners.  I am sure that if I had tables runners, they wouldn't have been right for these people.  I can just imaging the inventory that would have to be tied up to create a selection of runners.

There was a good reaction to all of the colors, even from people who didn't buy any.  Some were surprised that the towels were handwoven.  I took it as a complement - although they might be wondering why anyone would spend the time.

It was a fun day.