Over the past year, I was able to transform three weaving challenges into one project. Although I like a challenge, having too many at one time can be too much. It started over a year ago when a group I meet with once a year came up with a challenge of designing something using ten as the inspiration. I’m not really good at this type of challenge and I noodled around with several ideas that didn’t go anywhere.
The last idea seemed doable, what was the phase of the moon on October 10, 2010? Lots of tens in that. I found a couple places that showed me at least two phases that it would have been. No matter, a crescent could be my design. I used Proweave software to design a crescent shape that I oriented in two directions. I selected broken twill for my weave structure and had something that would work.
Around that time, I realized that I needed samples for an annual exchange with the Complex Weavers 24 +/- Study Group. If I wove this design in 10/2 cotton that would work very well for the exchange – reasonable sized swatches with an interested design.
With the lift plan worked out, I decided to use an extended point twill threading. This would repeat the motifs and rotate them across the width of the cloth. I used this fabric for all three challenges.BBBBBBBBBBBBBbbbbBBBBbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb
Samples ready to be cut |
24+/- Draft - Broken Twill on 24 Shafts |
BBBBBBBBBBBBBbbbbBBBBbbbbbbbbbbbbbbbbbbbbbbbbbbb In addition to this design, I made two more design changes to elongate and eventually join the crescent shapes. I wove off the end of the warp from the 24 +/- samples with the more elongated design.
Elongated Crescent Design |
Elongated Crescent Fabric |
The final piece was woven with 8/2 Tencel in natural and navy. All of the designs were a broken twill on 24 shafts. The sett for both the cotton and Tencel was 30 epi.
Scarf Draft - Broken Twill on 24 Shafts |
Both Sides of the Scarf |
Final Scarf |
I'm still considering weaving this again in a wool yarn to see how that works.